AN INTERVIEW WITH PAUL HOGAN, AKA CROCODILE DUNDEE AN ARTICLE BY: MATHEW TSCHIRGI I
entered the waiting room with trepidation. I was going to participate
in a round table interview with Paul Hogan: basically four interviewers
VS. Paul Hogan in a free-for-all grudge match of questions. There
was no "winner" per se, but the more questions you
ask (while being fair to the other interviewers) and the longer,
more detailed answers you get, the better. SIGNAL: With Crocodile Dundee I and II, you were credited as a screenwriter, but with Crocodile Dundee in L.A., I noticed you were credited as "Based on characters created by: Paul Hogan," but you weren't credited at all as the screenwriter. Were you involved with the script at all for Crocodile Dundee in LA, like, did you write a draft of it? PAUL HOGAN: I wrote the screenplay. SIGNAL: OK. PAUL HOGAN: And the rest of it was a dispute with the writer's guild. SIGNAL: OK. PAUL HOGAN: If you saw I or II, you know I wrote III. SIGNAL: During the shoot of Crocodile Dundee in L.A., did you have any problems any of the animals on the set? You know, like the monkey, like, misbehaving on the set? PAUL HOGAN: No
(A brief chuckle) Actors are more of
a problem than the monkeys. If the monkey is trying, and the
monkey comes to smell you and gets used to you and doesn't sense
hostility there or
And then they're pretty good, really.
Lions are a different pail of fish. Lions appear to ignore you,
most of the time. 'Till you get relaxed and they come to look
at you, and then your legs turn to ice water. PAUL HOGAN: We don't rehearse. You get so many takes from so many different angles, it's In a comedy, it starts to get mechanical. SIGNAL: How did you originally come up with the idea for the character of Crocodile Dundee? Like, before you made PAUL HOGAN: Oh, in the first place! SIGNAL: Yeah PAUL HOGAN: In New York, our first trip to New York. I found it a bit dazzling, as anyone who's never been to New York will-it's just too many people moving too fast, it's too big and noisy, so everyone goes frantic and gets on and hustles You start to feel like yourself gets destroyed, you know. I started from there and I wrote I started to write it as more like the character I played on television, and then I made him more woodsy, more "outbacky"-eventually became Crocodile Dundee. It was It was also set out to make it more of a romance between the two extremes of civilization: a sophisticated New Yorker, and an Aussie outback character. SIGNAL: Was the character based on anybody you knew, yourself ? PAUL HOGAN: Uh, no it wasn't based on anyone new. His background
was from a few people, but basically my outlook, my sense of
humor. Actually, one of the people that influenced me a bit was
in this movie-- that's the Jacko Jackson character. He was the
first croc hunter I ever met, back in the 70's: his name was
Jacko. He had the black hat with the teeth in it and the sleeveless
vest, but he was also filthy, tattooed, and sort of toothless.
He had all the charm of a cobra, you know, he was a croc hunter.
I sorta got the outfit from him, but the other guy in the movie
is Alec Wilson, and he's a part-time actor, occasionally-he's
been in 3 or 4 movies, but he's a cattle rancher. His cattle
station is in South Australia, his property's a couple thousand
acres. He's a real Australian outback character and you can't
seem to fight that-it's in the film. SIGNAL: Have you considered making a cartoon series based off of Crocodile Dundee, like a spin-off, or an animated series, or a sitcom, or something like that? PAUL HOGAN: No, but about four big animation companies have. Probably that they were all coming around the same time the last couple of years, which indicated to me they must have thought there must have been some interest out there with kids to do an animated Dundee, but none of them came up with any sort of a concrete format or anything, so it never went anywhere, or I don't want it to go anywhere. But if it did, I wouldn't be against it-I don't know how you'd do it, what you could do every Saturday morning or strip. |